A newly reunit
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
成长(zhǎng )中父母也在(📼)日(🚊)(rì )渐变(✨)老，我们会把(bǎ )这样或(🎅)(huò )那样(💕)的(de )无奈当做借口(kǒu )，而忽视他(🆔)们的心(xīn )理或身(shēn )体的健(jià(🆎)n )康状况，当问(wèn )题严重时我(🍭)们(🚎)又会(huì(🔒) )悔恨自(zì )己的冷(lě(💲)ng )漠(⛅)和粗心(🏙)，孩(hái )子和父母之间(🙋)永(🏧)远(yuǎn )存(✒)在一(yī )种不公(gōng )平(🌧)，而(✅)(ér )这种(🥐)不(bú )公平却又以一(👛)种(🈁)不协调(⛩)的(de )姿势，却又很(hěn )和(🐞)谐(🎻)的存在(🐕)着………
A formal Naval officer is forced into piloting a Narco submarine for a Mexican drug cartel looking to move a big load of cocaine.
宇宙犯罪(😠)者(👲)(zhě )ベム(🕓)ルとその一味を追っ(🧕)て地球(🏖)にやってきた宇宙の警察と(🎇)呼ばれるスパンデクサーの(🐟)一人(rén )スパンデクサーＡは(❌)、ベム(⛹)ルたちに襲われて(🎸)い(😈)た地(dì(🚙) )球の捜(sōu )査官・目(🌓)白(⛽)を助け(⚾)るが、そのために(🌡)ベ(🚻)ムルた(🐈)ちを逃(táo )がしてし(🐫)ま(📵)う。目白(♉)の協力のもと、地(🎦)(dì(🤒) )球に残(🍶)(cán )ってベムルを倒(💻)そ(🆔)うとす(⌚)るスパンデクサーＡ(🍳)の前に(🍄)、宇宙(zhòu )の犯罪者た(😧)ちがス(👐)パンデクサーたちを倒すた(🎴)めに作った人工生(shēng )命体ゾ(🚐)ーラが(🍒)現れる。スパンデク(🀄)サ(🃏)ーの弱(🃏)点(diǎn )の物質(zhì )で作(📇)ら(🎳)れたゾ(🉑)ーラに敗北したス(⏬)パ(🔠)ンデク(🍘)サーＡは、ゾーラ(👒)に(🐪)拉致(zhì(🏥) )され壮絶な拷問を(🐁)受(💺)ける。そ(🎹)して残虐(nuè )な性格(⤵)の(🔖)ゾーラ(🕣)は、目白を捕らえて(🔬)、家族(⏯)に危害を加えられた(🥣)くなけ(🌝)ればスパンデクサーＡをそ(👡)の手で殺すように命令する(🖐)のだった。
影片讲述了两(liǎ(💧)ng )个(🔲)小人物(🏚)二宝和三(sān )宝，因(yī(🥡)n )偶(🥔)然参(cā(🍐)n )演了一(yī )部抗日(rì(👶) )神(♏)剧，从陕(💕)西农村(cūn )一路追(zhuī(🕣) )到(💷)广州(zhō(🍜)u )寻找剧(jù )组而发(fā(😚) )生(🍺)的令人(📙)捧腹又笑中带泪(lè(🔒)i )的(🗻)故事(shì(💆) )。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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