Three strangers fThree strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
子どもに夢(mè(🧣)ng )を(🔅)与え、想像力(🌒)をはぐくむ(👖)コンテンツ作り(🥌)を(🖨)めざして、キ(🕵)ャ(🕜)ラクターアニ(👑)メーション(🌙)を中心にデジタ(🍳)ル(📦)絵本やARといっ(🌹)た(⏱)アプリなどを(📖)通して、エ(📥)ンタメから知育(🥄)ま(🥊)で幅広く活動(🤭)しているスタジ(🔇)オななほし(📜)が、ジャンルや(📰)メ(🚁)ディアを問わ(🕝)ず、ものづくり(🛵)を手掛ける(🍹)ウサギ王と制作(👨)(zuò(🏿) )。どこの家にも(💙)ある縁起物(🌱)たちと、彼らが(🏼)動(🈶)くさまを見(jià(🕟)n )た(💩)子どもたちと(🌚)の交(jiāo )流を(🗑)、躍動感いっぱ(🎾)い(🤹)に描(miáo )いたド(😠)タバタコメディ(🌎)!
故事讲述一(📝)名从(cóng )医二十(shí(📰) )多(🍌)年的心理(lǐ )医(🤺)(yī )生,发(fā )现无数(🕒)人由于怨恨(🌲)、沮丧、抑郁、(🚤)焦(💑)虑等(děng )负面情(🍱)(qíng )绪影响,而(ér )使自己偏(piān )离(👂)了社会生活规范(😒)的(👞)(de )正常轨(guǐ )道,乃(🏳)至自(zì )杀或(🖤)是杀(shā )人。心理医(📚)生(🏆)跟患者(zhě )徐...
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’(🐄)s what makes this story interesting.
四(🛵)(sì )名大学生在(⚫)(zài )暑(shǔ )假进(📞)行(háng )社会实践,到(🗼)偏(🗒)远的(de )村庄拍摄(🔵)纪录片,调(diào )查民(🏆)间(jiān )鬼怪文(🚫)化。
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
麦昆本想(xiǎng )给(🐒)女(🏩)友来一场创意(🚤)十(shí )足的求(qiú )婚(🥖),但在毫(háo )无(🍵)预兆的(de )情况下结(🀄)束(🗂)了一场轰(hōng )轰(⌚)烈烈(liè )的爱情,结局(jú )悲惨而(👹)(ér )可笑……在(zà(🈷)i )经(✉)历过失(shī )恋博(🚮)物馆中的种(🥏)种“失败”后,麦昆放(🗓)(fà(🐪)ng )下了,觉(jiào )得那(✒)段(🗼)失败的爱情反(🍹)(fǎn )而激励(lì(🤹) )了自己,让(ràng )自(zì(🐌) )己(👫)学会(huì )了如何(🕠)去爱一个人,用什(🚔)么样的方式(💔)让双(shuāng )方相处(chù(🎸) ),也(🔻)明白了(le )自己该(🥇)选(xuǎn )择去爱一个(🚅)什么样的(de )女(🤜)孩。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.详情